Showing posts with label Hansal Mehta. Show all posts
Showing posts with label Hansal Mehta. Show all posts

Simran- Film Review

Simran is a name that became immortal in Hindi cinema after DDLJ. This film is Kangana's show all the way, and she does not disappoint. Though not as good as Queen in terms of viewing pleasure, it's a decent watch. It subtly makes a point. The hero is trying to be independent, while the heroine already is!

Parents don't like independent children, so the final scene of the father trying to strangle his daughter is quite apt. Most parents here think that way (unfortunately), and that leads to many unpleasant consequences for the daughters (sometimes the men in love with them too).

I think with tighter editing, the film could have been better, but I am not complaining, if we get to see more films about free-spirited women who can go to Las Vegas and gamble away their life savings, and punch a big guy and force him to call the Security- Go for it!

City Lights- Film Review

There was the original Charlie Chaplin film by this name (remade in Hindi as 'Sunayana' starring Rameshwari and Naseeruddin Shah)- and this. This is a remake of a movie called Metro Manila, probably adapted to Mumbai.

The first fifteen minutes are boringly predictable, with the hero being forced to migrate to Mumbai and his being duly cheated out of a large amount of money on arrival. But thereafter, the movie picks up steam, and is unlike most Hindi films- because perhaps it is not a Hindi film originally.

There are pretty good twists and turns that keep you interested, and one man's (actually two, if you count the friend/partner) quest to better their lives, and the consequences (not pleasant for all concerned, but realistic under the circumstances) are worth a look. Patralekha is not bad, Manav Kaul (the partner) is very good. Rajkumar Rao is also pretty decent. One song is well-composed. Reminded me a bit of two films, Gharaonda and Piya ka ghar (with the brilliant song 'Yeh Jeevan hai, is jeevan ka, yehi hai, yehi hai rang roop, thode gham hain, thdi khushiyan') in the seventies and eighties, about Mumbai angst (about housing).

I would have given it a four if the pace initially had been better. As of now, it's a 3.5 on 5.

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