Showing posts with label Rajesh Khanna. Show all posts
Showing posts with label Rajesh Khanna. Show all posts

Shakti Samanta

 He was a director whose film launched Rajesh Khanna and Kishore Kumar around 1969. I saw the film and was captivated. By the hero and the music. Every song is a work of genius. 

Then came Amar Prem and Kati Patang, again with Rajesh Khanna and music by RD Burman. The songs were truly Amar- Chingari koi bhadke, Kuchh to log kahenge in Amar Prem, and Pyar deewana hota hai and Ye shaam mastani, (from whose second line this blog got its name).

Before that, Shammi Kapoor starrers An Evening in Paris, and Kashmir ki Kali were also great for their songs and picturisation, as was Howrah Bridge- Mera naam Chin chin choo was my favourite from that film.

Mumtaz and Her Films

 Her early films were probably forgettable, though she started pretty early. Acted as a heroine opposite Dara Singh in a few films too, but really came into her own when she starred opposite Shammi Kapoor in Bramhachari, where she had a great song- Aaj kal tere mere pyar ke charche kar zabaan par. It was om everybody's zabaan, for a long time. Also, another song in that period, Zindagi ittefaq hai, opposite Dharmendra and Feroz Khan was very popular.

Ater she teamed up with Rajesh Khanna, the pair had quite a few successful outings. Like Aap ki Kasam, Roti and Do Raaste. The song Bindiya chamkegi was a huge hit. Dushman also. 

And with Dev Anand, she starred in hare Rama Hare Krishna, the film in which Zeenat Aman made her debut as the hero's sister. 

Khilona opposite Sanjeev Kumar was another great role. 

I also liked her in Apradh, made by Feroz Khan, where she had two good duets, Tum mile pyar se, and Hamaare siwa, tumhaare aur kitne deewane hain? 

From Roti, her duet Gore rang pe na itna gumaan kar, ..main shama hoon tu hai parwaana, was memorable.

Jeetendra was another hero she teamed up with successfully, in a couple of hit films. Himmat was one of them. 

The link below

https://www.youtube.com/watch?v=LPAUcrwAO6o&list=PLKDYJsLRnRIP2ZTxjvbWW9FfYtsA5ZjWy&index=4 has some info about her life and times, for those interested in more.

First Impressions of Kolkata

 It is historic. Much more than any city I have visited. Looks as though every building has a story to tell, in many parts of town. And trams.. the only place that has a few trams running, still. The river ferry is also unique to a few places in India, and Kolkata is one of them. The song Chingari Koi Bhadke with a backdrop of Howrah Bridge made that immortal in the movies.


There are a lot of franchised restaurants all over the city now, including some known to me, and some unknown. Mio Amore is a cake shop with multiple outlets. . Arsalan is a famous one for Biryani, and generally, non-veg. food. There are a few others too, such as Ganguram's, Haldiram's and so on. Small shops selling sweets are all over the place, and many other eateries that sell stuff by the roadside.. quite popular, by the look of it. There's a Professor pally and a Culture Mod (crossing) on the way to my office at Agarpara campus. 

Spencer's is a store among bigger retail stores. Many branches, including one where I live now. A comprehensive store selling almost everything including daily needs. My go to place, looks like. I like to browse and buy, a 'dying' breed these days. 

As for clothes, it seems that lesser is better. Because it's quite hot, and a fan or an AC is a must most of the time. But you could get used to it. I prefer this to the extreme cold in North India. 

I am also looking forward to the Durga Puja season, which is supposed to be a highlight - this time in September last week. 

Look forward to catching up with old friends too. One I have already caught up with. A few more, I have promised to..

Cause and Effect

 Usually, an effect is the result of many causes, acting independently. But we simplify matters by attributing a single cause to an effect. The world is generally multivariate, or has multiple forces acting simultaneously.

Sometimes, two or more things have to happen simultaneously to produce an effect that we notice. As an example from films, Hindi films, the fact that Rajesh Khanna acted out songs sung by Kishore Kumar in a film called Aradhana (composer SD Burman) benefited both immensely, and each became a superstar in his domain. Both had some success individually, more so Kishore Kumar when he sang for Dev Anand earlier in the sixties, but the success multiplied manifold when he teamed up with Rajesh Khanna in a string of superhit songs. Dev Anand had equal success with songs sung by Mohammad Rafi and Kishore Kumar over his lifetime in films. Sometimes, like in Guide, both sang for him.

Rishi Kapoor initially had Shailendra Singh singing for him in his debut and a few subsequent films, but the songs he performed in films where Kishore Kumar sang for him (Khel Khel Mein, Hum Kisise Kam Nahi, Karz, were some) took him to dizzying heights of popularity. The music in this case was by RD Burman for the first two and Laxmikant Pyarelal for the third-they also played a role.

Just a couple of examples to show that many variables -acting together (interaction effect) or independently-may result in a particular effect.

Learning From People

 I stick to my story that you can learn the most from kids. But if I had to learn from celebs (not sure why) I would try and learn how to 

1. Spread my arms wide from Shah Rukh Khan

2. How to smile from Madhubala

3. How to sing from Kishore Kumar

4. How to remain unflappable from Dev Anand

5. How to wiggle from Shammi Kapoor

6. How to be bindhaast, from Tanuja

7. How to look handsome from Rajesh Khanna

Ok, that's a handful.. now I will come back on what I intend learning from mere mortals.. soon.


Rajesh Khanna and Amitabh

 I cannot write so knowledgeably about Shah Rukh or Salaman or Aamir Khan. But I can about these two, because they were a part of my impressionable years.

Both played a role in shaping our thought processes through many roles they played in films. For example, Rajesh Khanna became a heart-throb of many in his Aradhana, whose songs are popular till date. He followed up with many memorable roles, in Amar Prem as a rich and loveless zamindar who finds [love in an unexpected place, in Safar as an artist on the death row. But the best role in my view was in Anand, with a unique view about life and death.

Amitabh was quite different. Full of angst about issues facing society, and also personal angst as in Sharaabi, he mostly got branded as an Angry Young Man (with Mithun Chakraborty being branded as the Poor Man's Amitabh by some evil journalists (Shobha De, maybe?). Deewar is one of his better roles, and Amar Akbar Anthony and Namak Halaal topped in the Entertainment Quotient. Of course, his comic talent also came to the fore in Chupke Chupke. Abhimaan was too serious for my liking. Muqaddar ka Sikandar was also a decent role. 

About SRK, I think his best role was in Kundan Shah's Kabhi Haan Kabhi Naa- my favourite.

My Childhood

This is my blog post number 1960, which is my birth year. To celebrate, I am presenting a chapter -the first- from my autobiography.


Chapter 1: Childhood

 

I used to suck my thumb. All children do. At least, when I was growing up, they did. And when I grew up and had children, they also did. I played games like marbles, jhaad bunder (monkey on a tree)- where you have to jump on a stick placed strategically under a tree, from a branch above if you don’t want to get “out”- and many of the usual ones like hide and seek (only sometimes it was called Ice Pais, maybe named after ‘I spy’ played in some western countries).

I also vaguely remember collecting tons of mangoes in buckets on stormy nights in a big yard in a big house in a small town in A.P. There were four or five mango trees in the yard. I also watered some plants- I mean with a hosepipe in our front yard. I rode the bicycle very often, when I was old enough to do so. The club (run by the company where my parents worked) was another place I frequented. Badminton, Table Tennis were games that all the kids played, and so did I.

The small town school that I went to was not unique in any way, but it must have been doing something right. For, I did pretty well academically, and managed to grow up without an accent. That may not sound like a big deal, but I was to find out later in life that the early damage that an accent can inflict on you is tough to erase- it’s inscribed on your tongue, so to speak. I felt this most strongly about the ‘mallu’ accent, but many others are equally strong, I guess.

Movies were a strong influence. In a small town and minus television, any Hindi movie that was released (usually months later than its Bombay release) was a must-see. My first distinct memory is of a Rajesh Khanna blockbuster-Aradhana, with its superhit songs and a handsome R.K. in a double role. Another a little later was Anand, with its unique blend of philosophy of life and comedy. Many other movies of the day – Mere Humdum Mere Dost, Shikaar (Dharmendra), Anjaana, Jhuk Gaya Asman (Rajendra Kumar), Prince, Tumse Achcha Kaun Hai (Shammi Kapoor), Jigri Dost, Aulad, Humjoli (Jeetendra), and Jewel Thief, Guide (Dev Anand) followed, along with a lot of others in between.

This interest was to remain with me lifelong. Hindi movie music, captured in its prime by Radio Ceylon and Binaca Geet Mala, a weekly countdown show compered by the incomparable RJ Ameen Sayani, really fired our imagination. His skill with words, his silken voice, and the music…it was a heady combo- subhanallah!

Kishore Kumar with his divine voice was another youth icon that I instantly fell in love with. His songs, many of them tuned by the genius called R.D. Burman, became a rage. From Aandhi and Amar Prem to Kati Patang was a virtual feast for music lovers, and I soaked in every one of those masterpieces. Later, I came to appreciate the more serious numbers, though at the time, growing up, the more exuberant and romantic songs were my favourites- Tum Bin Jaoon Kahan, Nadiya Se Dariya, Yeh Shaam Mastani, Yeh Jo Mohabbat hai, Yeh Jawani Hai Diwani, and so on. There were some good songs from other music composers as well, but the R.D. Burman tunes seemed a class apart. Some other popular Kishore Kumar songs were from the movies Dushman, Blackmail, and Julie.

Bobby was a cult movie of those days. I was as besotted with the lovely 18 year old Dimple Kapadia as anyone else during that time. Many years later, as I was leaving for the U.S. to get a Ph.D., another Dimple movie, Saagar, was to be my last before my departure. She was probably 30 then, but as sensuous as in the Bobby days.

Another interest was cricket. I chose to play cricket in school (HPS, Ramanthapur) at Hyderabad. I was an opening bat, and we played without helmets in those days. We played league cricket matches every Sunday in season, and everybody in the cricket team was treated like a hero whether we won or lost. We had a very enterprising fast bowler in our team, Pritipal Singh Gandhi. His favourite trick was to get the runner out when he started walking out to take a run, before the ball was bowled. This technique was perfected by Vinoo Mankad, and some people referred to the runner as being ‘Mankaded’ when he got out that way.

I fielded in the slips, and one of the horrors of that position I remember was dropping Saad Bin Jung (Tiger Pataudi’s nephew) who played against us in an inter-school match. But I had a few good catches to which I held on too. Harsha Bhogle who is now a famous commentator was also in my rival team in school. Later, we both studied at Osmania University engineering college, and went on to do our MBAs from different IIMs- he to A, I to B.

One of my vivid memories of the cricket outings is when we won the prestigious Pentangular Trophy (this tournament was played between the Public Schools and the Kendriya Vidyalayas). We got treated by the school to a lunch and a movie- Lawrence of Arabia, at Sangeet cinema.

Our cricket coach in school was Mr. Habib Khan- a tall, imposing, focused but friendly guy who coached us all very sincerely, particularly in the basics. I sometimes wonder looking at the Indian cricket team, if they had only learnt batting and bowling from him…..

We had in our hostel a geography teacher we used to call Dracula- I have even forgotten what his actual name was. He was, unlike the name we had given him, very friendly, and used to let us make tea in his room late nights when we were studying for our exams. That was really helpful for some of us “maggus”.

I had been one of the first to join the new branch of the Hyderabad Public School at Ramanthapur when it started in 1972. Some of the friends made there kept popping up in later life. Ram Seshu, who became an advertising whiz kid with MAA Bozell, and Praveen Gottipalli, my friend and competitor for the first rank, who went off to the U.S. and now has a foot in India and another there. Some others, I never saw again.

There was a guy in the hostel, Mohiddin Khwaja, with whom I made good friends. His dad was in Air India posted in Saudi Arabia, and he seemed to get a lot of exotic stuff like perfumes from abroad, which was a novelty in those days. Another guy, Uttam Kumar, became an entrepreneur in Hyderabad with his granite company, but we never met after school. I did meet Srinivas Rao, a roommate who became a homeopathic doctor, and was the son of the owner of the best homeo store in Hyderabad called Ramakrishna Homeo stores on Bank Street. We also had the son of G. Pulla Reddy Sweets’ owner in my class, and the son of a cloth shop owner, Nadir Sadruddin, who always stood out in his terricot uniform.

A lot of teachers in school were very close, as we lived together in boarding school. The Physics teacher, Mr. Chandrashekhar, was a really sweet guy. The English teacher, Mr. Anjaneya Sastry, was at his eloquent best when he taught us Keats and Shelley’s poetry. I can still remember him describing the “little birdie” while teaching us Ode to a Nightingale. He was also famous for certain words that he pronounced in a funny way- for instance, England for him was “Englaand” and his Hindi was also anglicized! We had a very strict guy, Mr. Mathan, for P.T., and his gaze was enough to get everyone **** scared. Mr. Venkiah, the bio teacher, was famous for his long winded sentences, which he expected us to write down (copy) verbatim.

The school days were mostly fun, though I also liked the vacations when one could relax and play some other games at the club, or meet boys and girls (especially girls, as I was in a boys’ school) from other families back home. We had two friends, Manoj and Subodh, with whom we played a lot of Bridge (the card game) during the holidays. My brother and I were the others in the foursome. We played for hours, usually taking breaks only for lunch. It was an excellent way to pass the holidays in a hot and dusty small town. I still miss those Bridge sessions.

My parents also had a lot of Bridge-playing sessions with their friends at home, and I sat and watched these. A lot of the families were good friends, like the Tilaks, the Kenjales, the Kaushiks and the Talpallikars, and we, the next generation, also met a lot of times later, in India and abroad.

A lasting memory of the 1975 summer was seeing Sholay in 70 mm. in the grand old theatre called Ramakrishna (owned by the film star N.T. Rama Rao). The stereophonic sound effects, and the movie itself, were really awesome, and the only comparisons that came to mind were some grand Hollywood movies like Mackenna’s Gold, or Where Eagles Dare, in terms of the impact they had on me.

My childhood was spent in the coal belt of Andhra, in towns like Kothagudem, Bellampalli and Ramagundam. The distinguishing feature of these places was the heat, but there were compensations like the club, good company of other kids, and some scenic rivers- Godavari, in particular, which ran close to most of these places. There was also a picnic spot on the river Kinnersani close to Kothagudem, where the club arranged day-long picnics regularly. I even remember a couple of moonlight picnics, which were a lot of fun.

Kishore Kumar Memorial in Khandwa


 A bust of the singer..
 The sign on the road in Hindi..(below).
On his birth and death anniversaries each year, a commemorative event is hosted by the M.P. government here.

One of my favourite singers is Kishore Kumar. I have been a fan since I first heard him sing the songs of Aradhana and Kati Patang, and of course countless other films before and after these. This blog is named after a line from his Yeh shaam mastaani.. so it was a great pleasure to visit his Memorial at  Khandwa recently, in the company of my brother and a long-time friend Anil. These are some pics from there- some more follow.

 SD Burman, who gave him his style, and unique songs to sing- Dil aaj shaayar hai, and Phoolon ke rang se are just two examples. (above left)..
Below, a memorable role in Padosan, left, and with Rajesh Khanna on the right. Middle, with Lata Mangeshkar..again, many memorable songs..I particularly like the Aandhi duets.

 RD Burman, with whom he had many of his hits, and Mohammed Rafi, an equally talented contemporary..below, right to left.

Something I am pretty kicked about accomplishing!

Listening to Kishore Kumar- Ina Mina Dika

I never get tired of listening to him. His voice is full of life. I must have first heard him in the late sixties, on radio when I was around 8 or 9. The early songs may have been Yeh dil, na hota bechara, from Jewel Thief, and then the delectable Mere sapnon ki rani kab aayegi tu from Aradhana. I still listen to these two.

In between, the range of songs I heard and liked grew into a big number. Almost all Rajesh Khanna films had him, and so did most Dev Anand films. Pal bhar ke liye koi hamein pyar kar le, picturised on Dev Anand and Hema Mailini was  a favourite those days, and so was the duet from the same film (Johny Mera Naam) -O mere Raja,..and still are.

Hum the woh thi aur samaa rangeen was my favourite among many lovely songs in Chalti ka Naam Gaadi, and his own acting was even better. Paanch rupiah baarah aana, also for its innovative lyrics. The film called Padosan was non-stop fun, in large part due to his singing and acting.

He also sang some superb songs in relatively unknown films- only the songs are remembered today. Pyar maanga hai tumhise from College Girl, Tum kitni khoobsurat ho fro Jangal Mein Mangal, O hansini from Zahreela Insaan, Aise na mujhe tum dekho from Darling Darling are some examples.

His duets from Aandhi are probably the best ever. And there were three in the film. Other duets that are memorable, for me Koi maane ya na maane, from Adhikaar, Pyar hua hai jab se, Mere meet bata, Tu laali hai savere wali, Gore rang pe na itna gumaan kar, Maar gayi mujhe teri judaai, Jaisa des waisa bhes phir kya darna, Neend churake raaton mein, Tum bhi chalo hum bhi chalen chalti rahe zindagi,..

Soulful songs? Those were in plenty also- Ajnabi, tum jaane pehchane se lagte ho is one standout song in this category. Mere mehboob qayamat hogi is another. All his songs from Amar Prem too.

Qawwali? He sang one in Anokhi Ada in this style- Haal kya hai dilon ka na poocchho sanam. Bhajan? Jai Govindam, Jai Gopalam (a parody), with the funniest lines- peechhe pad gaya income taxum, etc..

Nonsense lyrics? Ina mina dika, ..

Rajesh Khanna- A Phenomenon

Celebrity worship comes easy to us- Sport and Films being obvious candidates. So here goes, an ode to one of Bollywood's most popular "superstars".

Rajesh Khanna was not immediately successful, and had a couple of so-so films before he hit the big time with Shakti Samanta's Aradhana. Kishore Kumar and Rafi, along with SD Burman's tunes, lifted this film into the mega-hit-sphere, and Sharmila Tagore and Farida Jalal also played their roles. The songs are a hit even today, close to 50 years after they were composed- Gunguna rahe hain bhaware, Mere sapnon ki rani, Roop tera mastana, Kora kagaz tha yeh man mera, ...all classics. The debonair RK sang Baagon mein bahar hai with Farida Jalal in his second avatar in the film too.

Then followed a string of films in which he excelled, including Bawarchi, Amar Prem, Dushman, Hathi Mere Sathi, Aap ki Kasam, Mere Jeevan Sathi, Safar, Souten, Namak Haraam, and my favourite, Anand. Many were memorable, and most had great music. Kishore Kumar had a second meteoric (singing) innings in parallel with Rajesh Khanna's rise (except Anand, where Manna Dey and Mukesh sang for him).

Until Amitabh and the angry young man persona took over, RK represented the Age of Romance.

Heroes and Heroism

The Hindi film's idea of a hero is a guy who bashes up the villain's henchmen into pulp and saves the heroine, or his mother, from their clutches. In childhood, we lapped up this theory. Now, of course, we know better. So this is a tribute to some unlikely heroes who may not be young, tough, or even good-looking. They might be too, of course.

Naseeruddin Shah. A gawky and awkward-looking actor, but a powerhouse performer. Unforgettable in some of his roles. Masoom is one where he does the right thing by his child out of wedlock. Not to mention his great comic role in Jaane Bhi Do Yaaro, with Ravi Baswani, Pankaj Kapur and Om Puri.

Om Puri in Ardh Satya was better than any conventional hero of those times.

Amol Palekar never bashed up villains, but he was terrific in Chitchor, Rajnigandha, Chhoti Si Baat.

Irrfan in the Lunch box was a powerhouse performance, in my view. So was the one in Paan Singh Tomar.

Farooque Shaikh was a great actor, in fiilms like Bazaar, Chashme Baddoor, Maya Memsaab, and many others.

Shah Rukh in Kabhi Haan Kabhi Naa is my favourite role of his.

Rajesh Khanna in Anand or Namak Haram. Or Bawarchi.

Dev Anand in Tere Mere Sapne.

Amitabh in Chupke Chupke. Dharmendra, likewise.

Nana Patekar in Thodasa Roomani Ho Jaayein.




The Many Sounds of Kishore Kumar

He was a mimic from his childhood, and used to perform for guests as a kid. Therefore, it is not surprising that he seemed to possess as many voices as his screen heroes for whom he sang.

He was serious and respectable for Sanjeev Kumar in Aandhi, Romantic and soft for Rajesh Khanna in Kati Patang and macho for Amitabh Bachchan in Laawaris. The songs I am referring to are Tere bina zindagi se koi shikwa nahin from Aandhi, Pyar diwana hota hai from Kati Patang and Apni to jaise taise from Laawaris. Of course, he was also boisterous for Sanjeev in O Manchali kahan chali, and serious for Rajesh Khanna in Aap ki Kasam (Zindagi ke safar mein guzar jaate hain jo makaam), and playful for Amitabh in Amar Akbar Anthony (My name is Anthony Gonsalves). He had some excellent songs for Randhir Kapoor (Jaane jaan, Yeh jawani hai diwani and Saamne yeh kaun aaya in Jawani Diwani and Gum hai kisi ke pyar mein from Rampur ka Lakshman), and Rakesh Roshan (Aaj unse pehli mulaqaat hoogi, Aankhon aankhon mein dekha hogaye deewane, Gulmohar gar tumhara naam hota). Whatever he did for these heroes, he sounded just right for them.

Some other memorable songs Kishore Kumar sang were Tu laali hai savere wali for Danny, Mere meet bata tujhe mujhse kab pyar hua aur kaise for Sujeet Kumar. Sama hai suhana suhana  for Jalal Agha, Yeh jeevan hai for Anil Dhawan, Teri duniya se hoke majboor chala for Parikshit Sahni in Pavitra Papi, Ghunghroo ki tarah bajta hi raha for Shashi Kapoor. He also sang for Pran in a couple of films (Hum bolega to bologe ke bolta hai, sounding exactly like him and Daru ki botal mein saheb pani bharta hai, phir na kehna Michael daru peeke danga karta hai in Majboor).

Dev Anand and he were like soulmates for a very long time- from Are yaar meri tum bhi ho ghazab and Mana Janab ne pukara nahin, through Maine kasam li, Yeh dil na hota bechaara, to Dil aaj shaayar hai, and Phoolon ke rang se, right until Des Pardes (Tu pee aur jee, Jaisa des waisa bhes). They complemented each other well, and came up with classics almost every time they worked together.

Romantic Icons of the 70s

There were quite a few romantic heroes/heroines of the 1970s whom I grew up watching on screen. The music added a lot of charm to many of their films. Some of those were-

Rishi Kapoor, often paired with Neetu Singh, who dazzled with his rom-com roles in Rafoo Chakkar, Khel Khel Mein, Amar Akbar Anthony, Bobby (with Dimple Kapadia), Hum Kisise Kam Nahin (with Kajol aka Sunita Kulkarni). Don't know why Shailendra Singh stopped singing for him and Kishore Kumar took over.

Dev Anand, the 'evergreen' romantic, was in his element in Gambler (Dil aaj shayar hai), Johny Mera Naam, Prem Pujari (Pholon ke rang se, Shokhiyon mein ghola jaaye), and Hare Rama Hare Krishna. His teaming with Hema Malini in Shareef Badmash and Chhupa Rustam worked for both. Tere Mere Sapne with Mumtaz (another cute looker) also was a good film.

Rajesh Khanna, of course, was the king of the 70s with Aradhana, Kati Patang, Aan Milo  Sajna (Accha, to hum chalte hain), Aap Ki Kasam, Mere Jeevan Sathi (O mere dil ke chain), Namak Haram (Nadiya se dariya), Amar Prem, Daag, Prem Nagar (Yeh laal rang kab mujhe chhodega).

Shashi Kapoor was also a good-looking dude and managed to hold his own, though none of his solo films were spectacular. Pyar ka Mausam had some excellent music though (Tum bin jaoon kahaan and Nisultana re, pyar ka mausam aaya).

Yodeling

The form of singing with some yoo hoo type stretch on some words, requires a special ability.

Kishore Kumar had it in him, and therefore came up with unusual sounds that added magic to some of these songs-

Nakhrewali, dekhne mein dekh lo yeh kaisi bholi bhali..from New Delhi that has a line or two of yodeling after each stanza.

Tum Bin Jaoon Kahan..the Kishore Kumar version...Pyar Ka Mausam was the film.

Paanch rupiah, barah anaaha, marega bhaiyya, nanananaha.. from Chalti ka naam gaadi

Chala jaata hoon, kisiki dhun mein...fiilmed on Rajesh Khanna. fantastic road song.


Zindagi ek safar hai suhana..odlari odlari ohu..another fun song, from Andaz with the Khanna and Hema Malini on a bike. The Asha Bhosle version is not that good.

Mumtaz- A Tribute

Shah Jahan built a Taj for his. I am no Shah Jahan, so I will simply write a blog. This one is for the yesteryear actress called Mumtaz. No relation to the wife of Mr. Jahan- at least not that I know.

She was one who came up the hard way, from bit roles and vampish roles (villain's moll etc.) to play some good roles in many films. A couple that I recall were in Roti with Rajesh Khanna, and Khilona with Sanjeev Kumar (he is a mentally ill man, and she tends to him). In the film Roti, there was a great chemistry between her and Rajesh Khanna, and the song, Gore Rang pe na itna gumaan kar was one of my favourites. Bindiya chamkegi choodi khankegi from Do Raaste also made her famous.

She was never considered a major or great actress, but she had a sizeable number of hit films. Many with Khanna (Aap ki Kasam), but some with Dharmendra (Loafer), Dev Anand (Tere Mere Sapne, Hare Rama Hare Krishna in which she was the 'kanchi' whose preet was sanchi.), Manoj Kumar (Patthar ke Sanam), Shammi Kapoor (Bramhachari-Aaj kal tere mere pyar ke charche har zabaan par), Biswajit (Mere Sanam), Jeetendra (Jigri Dost and I think Himmat), Dilip Kumar (Ram aur Shyam), Sanjay Khan (Mela), and so on.

She was lovely, bubbly and mostly positive in her roles. Owned some tea estates through her hubby in Ooty/Coonnoor. Brought a natural freshness to the screen. One song of hers from the film AAdmi aur Insaan was my all-time favourite- Zindagi ittefaq hai. Probably true.


Pia (no) Milan ko jaana

I had promised avid readers (what, you?) that I would come up with a piece on piano songs from Hindi films. I generally keep my promises (unless I break them), and here is proof. I delved into my (fading) memory, did some research with the aid of that great gift to researchers (starts with a G) and compiled a list. I think it is about 95% right (5% error is permissible, remember?).

1. Chalo ek bar phir se ajnabi ban jaayen...from Gumrah.

2. Patthar ke sanam, tujhe humne ..title song from the movie.

3. Pyar diwana hota hai mastana hota hai...delight from Kati Patang

4. Dost dost na raha...Sangam..there is a hilarious scene in the film (not related to the sombre song sequence), where one of the characters leans at an acute angle for a prolonged length of time.

5. Kaun aaya ke nigahon mein chamak jaag uthi..Waqt..a female on the piano in this case.

6. Dheere dheere machal ae dile beqaraar..Anupama, with a wonderful tune. What a song!

7. Khwab ho tum ya koi haqeeqat,  kaun ho tum batlao..SD Burman tune from Teen Deviyaan..Dev Anand on piano..khallas!

8. Uljhan suljhe na, rasta soojhe na, jaoon kahan main, jaoon kahan,..so sang Zeenat in Dundh, a neat murder mystery.

Braggitis

I have noticed a new disease afflicting millions of people. It started in the developed world (whatever that may mean), and is threatening to envelope the under-developed world (whatever THAT may mean) in a tight embrace. It is called Braggitis, and it can be transmitted through the air, water, earth, or any known method of transmitting these things. Hot air is generally found in the vicinity of the Bragger- one who suffers from Braggitis, I mean.

Here is how it works. Say, a human in close proximity to you says,

You know, the other day, I was admitted into Escorts (name of a hospital, in case you get wrong ideas) for a colonoscopy after an endoscopy."

Your likely response when you are a victim of Braggitis,

" Oh, that is nothing. I am continuously being injected with 3 vials a day for acute rhinitis, right now."

Response to this might border on the ludicrous, for example,

"Oh, I didn't know a rhino bit you. You just came from Kaziranga?"

But even if the other person is sober, he may still be a victim himself, of the same affliction as you. In which case, he would say,

" Why, in my family, no one has crossed fifty without getting at least a bypass done."

Response, " My wife is having an IVF done from Dr. Shah, the famous specialist at Apollo."

The counter attack, " My uncle in Kolkata went to Escorts (these infernal escorts are everywhere-can't be shaken off) for an angio (a fashionable shortened form for angiography or angioplasty) , you know, and they told him he had to get three stents in right away, or else he wouldn't be around for his daughter's wedding."

And so on. You get the point? Bragging rights are now based on which brand of hospital, which great doctor, you went to, and maybe how many tubes were inserted into your nose.

I only wish I had lymphosarcoma of the intestines, like Rajesh Khanna did in Anand. Looks hard to beat, no?


Mere Jeevan Saathi

The creative genius of R.D. Burman was in full flow at the time. I remember going with a friend to buy an L.P. record of this movie in Hyderabad. The songs were a rage then-around 1977 or so, and are wonderful to listen to today (the movie was a flop though, and considered the beginning of Rajesh Khanna's downfall). Sample these-

O mere dil ke chain, chain aaye mere dil ko dua keejiye..a soft lyrical wooing number, filmed with all the soft lighting and so on in the movie.

Diwana leke aaya hai, dil ka taraana, dekho kahin yaaro thukra na dena, mera nazraana..more tentative in its appeal.

Deewana karke chhodoge lagta hai, yun humko, ..the similar sounding words, but an entirely different atmosphere and expression.

Chala jaata hoon kisi ki dhun mein, dhadakte dil ke taraane liye..famous for its yodeling by Kishore Kumar, and as exuberant a love song as any in Hindi films..

and a great seduction song that Helen sings for Rajesh Khanna..aao na, gale lagao na..

Musically, Jawani Diwani, Kati Patang, and Mere Jeevan Saathi were probably tops in this genre from R.D. Burman. Though he had Namak Haraam, Aandhi, and so on in others, and Teesri Manzil, Yaadon Ki Baaraat and Hum Kisi se Kum Nahin in the stage/dance songs category.



Anand Revisited in Air India

I was in for a triple surprise on the Pune Delhi flight, Air India. It had an entertainment system, it worked, and they screened Anand- one of my favourite films. I was lost in the movie, with great acting, editing and direction- and story!

But this is about the bit actors, more than the hero, who of course was fabulous with his message of don't worry, be happy. From Johnny Walker playing the mythical 'Murarilal' whom Anand is always looking for, to Ramesh Deo (the doc treating him) and Seema (his wife), Lalita Pawar the matron, Durga Khote, Sumita Sanyal, Dara Singh the friendly pehelwan, they are all sewn together into a seamless whole, with an anchor in Amitabh Bachchan's supporting character of Dr. Banerjee, the strong, silent, helpless spectator of Anand's impending demise. The dialogue is impeccable, and the songs are a treat, after all these years.

One can only marvel at this brilliantly philosophical film by Hrishikesh Mukherjee, which delivers a knockout message, one which we struggle to imbibe.

Music in Rajesh Khanna Films

Music was a strong point in many Rajesh Khanna films. This is an attempt to remember some of the songs.


Daag- Hum aur tum, tum aur hum, khush hain yun aaj milke...


Anurodh- Aapke anurodh pe main yeh geet sunaata hoon. and Aate jaate khoobsurat awara sadkon pe kabhi kabhi ittefaq se..


Ajnabee- Ek ajnabi haseena se, and a couple more ..Hum dono, do premee.


The Train- Rumbunctious song..Gulabi aankhen jo teri dekhi


Hum tum gumsum raat milan ki...from Humshakal, I think.


Agar tum na hote...from the same film.


Achcha to hum chalte hain from Aan Milo Sajna


Shayad meri shaadi ka khayal, dil me aaya hai..a delightful song from some movie with Tina Munim..Souten?


Dil ko dekho chehra na dekho, and Meri pyari beheniya banegi dulhaniya from Sachha Jhutha


Gorey rang pe na itna gumaan kar, gora rang do din mein dhal jayega..from Roti.

Mere naina sawan bhadon...from Mehbooba


Hamein tumse pyar kitna yeh hum nahi jaante from Kudrat


Sun ja, aa thandi hawa, in Hathi Mere Sathi


Karwaten badalte rahe....and Aaj mohabbat band hai, from Aap Ki Kasam, apart from Zindagi ke safar mein guzar jate hain jo makaam

Duniya mein logon ko, dhoka kabhi ho jaata hai in Apna Desh with its wacky costumes


Maine dekha, tune dekha..dushman, jo doston se pyaara hai, from Dushman


Amar Prem, Namak Haram, Kati Patang, Aradhana and Mere Jeevan Saathi had three or more classics each. 


And of course, he taught us in his inimitable 'andaz' that Zindagi ek safar hai suhana...










  

Wedding in Chennai

 Went to Chennai for a few days, after quite a while. I used to attend a December conference at Great Lakes Institute for a long time. This ...

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