Learning From People

 I stick to my story that you can learn the most from kids. But if I had to learn from celebs (not sure why) I would try and learn how to 

1. Spread my arms wide from Shah Rukh Khan

2. How to smile from Madhubala

3. How to sing from Kishore Kumar

4. How to remain unflappable from Dev Anand

5. How to wiggle from Shammi Kapoor

6. How to be bindhaast, from Tanuja

7. How to look handsome from Rajesh Khanna

Ok, that's a handful.. now I will come back on what I intend learning from mere mortals.. soon.

Dilip Kumar

 He was not really from my generation. It was more of Rajesh Khanna rising, and then Amitabh. But I did see a few of his happier films, and of course, Mughal-e-Azam. I liked his restraint in Shakti too. Not familiar with the roles that got him the sobriquet Tragedy King, so I won't comment.

The gossip columns described how Madhubala and he broke up over his principled stand on a producer's action against her for violating a contract. If so, good that he took a stand-very few people do, anyways, on anything.

Today, he probably wouldn't have survived as an actor- certainly not as a hero, what with shirts discarded, dancing crazily, and doing inane stuff most of the time. He would probably have gracefully withdrawn and watched from the sidelines. Of course, we do have Ayushmaan doing some interesting stuff, so you never know.

Anyway, it was a great innings in films, and hats off to him. And goodbye. After all, THE END is part of life, and the screen has to come down some day.

Dev Anand Birth Anniversary

This guy had an indomitable spirit- at any age. Something one can learn from. One of my favourite actors until Des Pardes-I saw only one film of his after this- he went on making films and introducing actors until his last breath.

He acted with Hema Malini in her first big hit, Johnny Mera Naam, though she was introduced earlier. He introduced Zeenat Aman, in a role full of 'dum' in Hare Rama Hare Krishna. He also introduced Tina Munim, among others. She went on to do many hit films.

He had some unique films, and was usually ahead of his time in his choice of subjects. Swami Dada about religious babas, Des Pardes about woes of immigrants, Hare Rama Hare Krishna about drugs, and even a few old films like Love Marriage which in the times of arranged marriages was quite a bold theme. He has acted with heroines ranging from Madhubala and Geeta Bali to Tina Munim many years later, spanning three generations!

His films were a bit tacky with his mannerisms, but he was loved by audiences of both genders. He was an incurable romantic, and this was reflected in his films and music, which were low on violence, and big on romance. Guide was a memorable film of his based on the story by R.K. Narayan, and was also a musical hit. SD Burman gave music to many of his films, and created unforgettable songs, many penned by Neeraj, such as Phoolon ke rang se from Prem Pujari, and Dil aaj shayar hai from Gambler.

Lasting Contributions of Bollywood Heroes and Heroines

This is a TIC (tongue-in-cheek for backward people) look at lasting contributions of Bollywood Celbs of my time and yours-

Alia Bhatt- the jokes, of course. After Ajit (a villain), these are the most formidable.

Jeetendra- the white shoes are his legacy.

Mithun-da- Turning, twisting, gyrating, redefining Newton's Laws of Motion.

Rajesh Khanna- the look, a romantic one.

Dharmendra- Main tera khoon pee jaaonga . The dialogue.

Jaya Bhaduri- her laugh

Dev Anand- his scarves, and the delivery of dialogue without punctuation. The way he said, ..well, anything.

Madhubala- the crooked smile which floored the straight guys.

Helen- Her slimness in a world of overflowing adipose tissue. Amazing.

Mehmood- His anti-Fair and Lovely anthem in Gumnaam. Hum kaale hain to kya hua dilwale hain.

Shatrughan Sinha- Khamosh! One-worder rather than one-liner. But also had one liners like "Tum jis school mein padhte ho, hum uske Headmaster hain"

Om Prakash- his facial expressions were classic.

Navin Nischal- not sure, he didn't last too many Sawans or Bhadons, took the Victoria no.203 and went away..

Raj Kapoor- The Charlie Chaplin walk, look,..

Zeenat Aman- The glam quotient. Paved the entry to non-actresses with hot looks, that continues to this day.

Parveen Babi- Gave (Namak) Halal a sizzle that was as good as the steak (Advertising fraternity might get this one..)

Lalita Pawar- a blueprint for all Ekta Kapoor successes.

Book Review- Housefull

This is a book edited by Ziya Us Salam and is a collection of essays about Hindi films and film-makers mostly from the 'golden era' of the fifties to the seventies. Full of nuggets that might be interesting to film buffs like me. I will give you an example from the essay on Mughal-e-Azam.

Asif's (the director's) second wife Nigar Sultana played Bahar in the film. The role was initially conceived for Sitara Devi, the Kathak dancer, who happened to be Asif's first wife..Nargis was the original heroine of the film, and 10 reels were shot with her. She was replaced with Madhubala because Raj Kapoor did not want Nargis to play opposite the new hero Dilip Kumar(yes, he was replacing Chandra Mohan, who passed away).

Anyway, the narrative, starting from Bimal Roy, V. Shantaram ( he founded Prabhat and then, Rajkamal Kalamandir) and Guru Dutt's films, goes on to those of Navketan, and Shakti Samanta and Yash/B.R. Chopra. Then there are essays by people like Vijay Lokapally, the journalist, and others, about various solo films.

One essay I liked a lot was the one about Bees Saal Baad, the suspense film that had songs by Hemant Kumar such as 'Zara nazron se kehdo jee, nishaana chook na jaaye' and Beqaraar karke hamein yun na jaaiye, aapko hamari kasam laut aaiye'. The review of Jewel Thief and Guide are also very good.