There are a few landmark tunes that are associated in my mind with music directors in Hindi films.
Vasant Desai- Bole re papihara in Guddi. It is so different from the usual songs.
RD Burman- Dum maro dum from Hare Rama Hare Krishna. I don't think anyone else could have thought of this.
SD Burman- Wahan kaun hai tera, musafir, jayega kahan (film- Guide), in his own voice.
Jaidev- Main zindagi ka saath nibhaata chala gaya. A masterpiece from Hum Dono, sung by Mohammad Rafi.
Kalyanji Anandji- Pal bhar ke liye koi hamein pyar kar le from Johny Mera Naam. Dev Anand and Hema Malini added a lot of charm to it.
Shankar Jaikishen- Sayonara, sayonara from Love in Tokyo.
Laxmikant Pyarelal- Mere mehboob qayamat hogi from Mr. X in Bombay.
OP Nayyar- Piya piya piya mora jiya pukare, from Baap re Baap. Early use of Kishore Kumar's yodeling, and trademark hoofbeats that he used in many songs.
Vasant Desai- Bole re papihara in Guddi. It is so different from the usual songs.
RD Burman- Dum maro dum from Hare Rama Hare Krishna. I don't think anyone else could have thought of this.
SD Burman- Wahan kaun hai tera, musafir, jayega kahan (film- Guide), in his own voice.
Jaidev- Main zindagi ka saath nibhaata chala gaya. A masterpiece from Hum Dono, sung by Mohammad Rafi.
Kalyanji Anandji- Pal bhar ke liye koi hamein pyar kar le from Johny Mera Naam. Dev Anand and Hema Malini added a lot of charm to it.
Shankar Jaikishen- Sayonara, sayonara from Love in Tokyo.
Laxmikant Pyarelal- Mere mehboob qayamat hogi from Mr. X in Bombay.
OP Nayyar- Piya piya piya mora jiya pukare, from Baap re Baap. Early use of Kishore Kumar's yodeling, and trademark hoofbeats that he used in many songs.
No comments:
Post a Comment