I first saw The Reincarnation of Peter Proud in the late 70s. I saw it once again this week. I think it is one of the best whodunits of all time, with some reincarnation to spice it up. It is gripping, well made, and has a professor as its protagonist (this happens rarely, I only remember Raaj Kumar in Bulundi as another). This guy goes back to his earlier inhabited town (in a previous life), and what happens thereafter is really interesting. Recommend that you see it to find out. Michael Sarrazin and Jennifer O'neill star competently, along with Margot Kidder who has a significant role.
'Throne of Blood' is a Kurosawa adaptation of Macbeth, as far as I can make out. It is well-crafted, and for the most part, very engaging. The main parts are played well by the equivalents of Macbeth and Mrs. Macbeth. Kurosawa's style is masterly, and the story is the hero of his films, which usually are made with an unhurried pace, but keep you engrossed as the story unfolds. His favorite Toshiro Mifune acts in this movie too, and does a very good job. My new-found love for the Japanese cinema and literature (Murakami) makes me wonder if I was a Japanese in previous birth.
A blog about life, Hindi music, films, humour, books, people, places, events, travel, and occasionally, marketing management or leadership. Mostly apolitical, because that is a personal matter that each of us should decide on, and because I don't want to lose readers!
Showing posts with label Akiro Kurosawa. Show all posts
Showing posts with label Akiro Kurosawa. Show all posts
Kurosawa and Woody Allen
It is rare for me to watch two movies in a day these days. I did it a few times during college days. In a day, I had once seen three Hindi films- and survived. But this weekend was different. I saw a Kurosawa film, Red Beard, followed by a Woody Allen film- Take the Money and Run. Both as different as chalk and cheese- or wine and single malt, but each completely engrossing.
Kurosawa is an acclaimed Japanese director known for his prelude to The Magnificent Seven and eventually, Sholay in its Indian avatar. Seven Samurai. But Red Beard is an incredible film. It is three hours long, and apparently, as its cassette cover describes it, about a young doctor posted in a rural clinic while dreaming of a plush job elsewhere. But that description does no justice at all to the film, and the guy who wrote it must have been blind, or of a low IQ. You will rarely see a movie so rich, multi-layered, and making its point with such little drama- understated in all its finery. The drama is in its simplicity, and the stories within the main story- the one described on the CD cover. It is about life in all its shades- gray, white and black. Of love, betrayal, poverty, lack of medical care, dedication of a single doctor who serves the poor, medical ethics, grace in death, confidences kept till the death bed, and lots more. It is difficult to describe it, actually. In short, great cinema.
Take the Money and Run is a breezy, self-deprecating comedy in typical Woody Allen style, about a bumbling bank robber and his wife. Enjoyable, and good fun to watch.
Kurosawa is an acclaimed Japanese director known for his prelude to The Magnificent Seven and eventually, Sholay in its Indian avatar. Seven Samurai. But Red Beard is an incredible film. It is three hours long, and apparently, as its cassette cover describes it, about a young doctor posted in a rural clinic while dreaming of a plush job elsewhere. But that description does no justice at all to the film, and the guy who wrote it must have been blind, or of a low IQ. You will rarely see a movie so rich, multi-layered, and making its point with such little drama- understated in all its finery. The drama is in its simplicity, and the stories within the main story- the one described on the CD cover. It is about life in all its shades- gray, white and black. Of love, betrayal, poverty, lack of medical care, dedication of a single doctor who serves the poor, medical ethics, grace in death, confidences kept till the death bed, and lots more. It is difficult to describe it, actually. In short, great cinema.
Take the Money and Run is a breezy, self-deprecating comedy in typical Woody Allen style, about a bumbling bank robber and his wife. Enjoyable, and good fun to watch.
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