Showing posts with label Voice. Show all posts
Showing posts with label Voice. Show all posts

Presentation Matters

 I have spent many hours (years?) of my life listening to presentations made using a Powerpoint set. But that's not what I mean by presentation. I am broadly talking about communication. For instance, it could be just a way of telling a story. My grandfather told us one very effectively, and I still remember it vividly-about a rabbit scaring away a lion by pretending to be a bigger animal!

It could be the intonation, or images used-orally or on a screen, or board, or gestures, while communicating. In food shows, it's the plating that makes the food looks cool, because you can't taste it as a viewer, so you only have an image to help you imagine.

Packaging is a form of presentation. How you package a product can make a difference between someone buying it or not! Which is why smart marketers play around with packaging so much! How you display products in a retail store can also achieve similar results- good or bad.

In short, think about presentation. Whether it's yourself at an interview, or a on a date, or a presentation you make to a boss or a client!

Hemant Kumar

Hai apna dil to awara, na jaane kis pe aayega...Dev Anand sings in Solva Saal to an irritated Waheeda

Beqarar karke hamein yoon na jaaiye, aapko hamari kasam laut aaiye..Biswajeet to a not-unpleased Waheeda

Na tum hamen jaano, na hum tumhe jaane, magar lagta hai kuch aisa, mera humdum mil gaya

Khwab chun rahi hai raat intezaar hai, tumhara intezaar hai, tum pukar lo.

Yeh raat yeh chandni phir kahan..

Ya dil ki suno duniyawalon.

He was incomparable in the songs mentioned here, and many more that he composed. Happened to hear a few of his songs today. His voice did not have the variety that Kishore Kumar's did, but he was very good at what he did.




Sharda- Singer Unknown

There was this song Titli udi ud jo chali, phool ne kaha , aaja mere paas, titli kahe main chali aakash sometime in the 60s, when I was growing up (I still am, but..). It had a voice that was unlike any other voice on radio (TV had not arrived yet). This song was good, and then I heard a few more songs sung by her. Learnt her name was Sharda, and that she sang mostly in songs composed by Shankar- Jaikishan.

A few more good ones were from films such as Around the World (title song- around the world in 8 dollars), Gumnaam (Jaane chaman, shola badan) and so on.

Wonder what happened to cut her career short. Here is a link to the first song mentioned here- Titli Udi-
https://www.youtube.com/watch?v=W81R3Vz2o8M

Why Kishore Kumar is Kishore Kumar

I am now close to his birthplace- Khandwa. So I thought I should once more pay this incredible guy a tribute. I have heard all singers who sang for Hindi films from about 1950 to date, one way or another, male and female, and also like many of them. But I still think Kishore Kumar was different-for me at least.

We used to joke among friends that even if he sang a sad song, he came out sounding upbeat. An example is 'Dukhi man mere, sun mera kehna, jahan nahin chaina wahan nahin rehna'..though a sad song, his singing somehow gives it a soothing quality.

Another quality of his singing was clear articulation. I never was a fan of western music, mainly because I could not figure out the lyrics. Some country music was an exception, but that was it. With Kishore Kumar, his words came out crystal clear, unlike a few of his predecessors. Understanding the song made it more pleasurable. Whether it was a solo or a duet. I think an extreme case of the music taking a complete backseat is a classic SD Burman song, ' Dil aaj shaayar hai' from Gambler, which remains a favourite.

The range. 'Koi hota jisko apna' to 'Chingari koi bhadke' to 'Ina mina dika', 'Zindagi ek safar hai suhana' to 'Nafrat karne walon ke seene mein pyar bhar doon' to 'Ye jawani hai diwani hat meri rani' to 'Dil kya kare jab kisi ko kisi se pyar ho jaye'...I could go on, but his solos just don't stop surprising you. Jhumroo alone is a good example of what he could do. A haunting 'Koi humdum na raha, koi sahara na raha' is offset by the exuberance of "Main hoon jhum jhum jhum jhum jhumroo, fakkad ghoomoon banke ghumru" with brilliant yodeling to accompany it.

And the duets are as amazing. 'Salaam-e-ishq meri jaan zara qubool kar lo' is a great mujra, but it comes into its own with KK joining in after one stanza has been completed. Same with the Aandhi classic, tuned by RD Burman- 'Tere bina zindagi se koi shikwa to nahin'. Older ones include 'Yeh raatein ye mausam nadi ka kinaara ye chanchal hawa', "Machalti hui hawa mein chham chham hamare sung sung chali ganga ki lehrein', 'Piya piya piya mora jiya pukare,... tum hi basi ho gori man mein hamare', Gaata rahe mera dil', 'Yeh duniya wale poochenge, mulaqat hui kya baat hui, yeh baat kisi se na kehna', Aankhon aankhon mein hum tum ho gaye deewane'.

He also managed to imitate the actors' voices in most cases, sounding romantic with Rajesh Khanna, sombre with Sanjeev Kumar in elderly roles, and macho with Amitabh Bachchan. He also acted and sang some super songs for himself, as in Chalti Ka Naam Gadi- each is a minor classic. 'Padosan' had this crazy scene where he tutors Sunil Dutt with 'Meri pyari Bindu' while circling around him with his gang. 

Kabir Bedi's Autobiography

 One thing that strikes you about his stories, is their honesty. He does not shy away from his failures.. like the stock investments in Nets...

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