Showing posts with label RD Burman. Show all posts
Showing posts with label RD Burman. Show all posts

Classy RD Burman Concert

 A classy concert featuring RD Burman-composed songs in Pune yesterday (23rd June, 2026)

Selection of songs, singing and camaraderie among singers was a notch above the usual. Pancham magic working, maybe.. here are a couple of glimpses.

Moutusi Das and Satish Ingle were the highlights, and sang Dun Maro Dum and the medley from Hum Kisise Kam Nahi very well. Mehbooba, mehbooba also. Meri jaan maine kahaa was  also done nicely. Aparna sang Piya tu ab to aaja with zest. Lots of great RD songs were featured.. a treat!

Kranti Shah was a great Emcee too, her second I have seen.





Shakti Samanta

 He was a director whose film launched Rajesh Khanna and Kishore Kumar around 1969. I saw the film and was captivated. By the hero and the music. Every song is a work of genius. 

Then came Amar Prem and Kati Patang, again with Rajesh Khanna and music by RD Burman. The songs were truly Amar- Chingari koi bhadke, Kuchh to log kahenge in Amar Prem, and Pyar deewana hota hai and Ye shaam mastani, (from whose second line this blog got its name).

Before that, Shammi Kapoor starrers An Evening in Paris, and Kashmir ki Kali were also great for their songs and picturisation, as was Howrah Bridge- Mera naam Chin chin choo was my favourite from that film.

Your Best Hour

 I am not even sure there is such a thing, but maybe it's a period longer than an hour. When you were at your best. I have a few nominations for music directors and lyricists, when according to me, they did their best work. 

SD Burman- Aradhana, where almost every song is so good, you hum it even today. His second best for me is Teen Deviyaan, and next, Chalti ka Naam Gaadi.

RD Burman. Aandhi is his finest hour, for the classy duets. Of course, Amar Prem also, for the solos. And for sheer entertainment, Yaadon ki Baraat and Teesri Manzil.

Neeraj, lyricist. Dil aaj shayar hai from Gambler. It's too good. Second, Phoolon ke rang se from Prem Pujari.

Anand Bakshi. Amar Prem, any day. Chingari koi bhadke, Kuchh to log kahenge and Yeh kya hua.. second would be Kati Patang- Yeh jo mohabbat hai, Yeh shaam mastani (from where this blog gets its name), and Pyar deewana hota hai..

Sahir Ludhianvi. For me, his song from Gumrah- Chalo ek baar phir se ajnabi ban jaayen hum dono is worth its weight in Gold.



Movies to Remember- 2

 Hum Kisise Kam Nahi starring Rishi Kapoor and Kajal Kiran was a big musical hit, and its LP record was in stereo- one of the first for Hindi films, maybe. 

The songs were a range, with Bachna ae haseeno and the four songs ensemble with chand Mera Dil and Aa dil kya mehfil hai tere being the pick of the lot for me.

Though the story was run of the mill- a romance with a third angle, the young actors made it work.

Saw it a couple of times again later, and though a bit long in the second half, it remained watchable. RD Burman's music played a big part. Directed by Nasir Husain.

Movies To Remember - 1

 At least, I remember them, for various reasons. No. 1 on the list is Padosan.

An innocuous storyline. A simpleton (aptly named Bhola) has a neighbour- a hoity toity girl who loves music- whom he wants to impress. He tries learning how to sing, fails, and at the suggestion of his music guru, fakes the singing. She's impressed, till she discovers the faking. He wins the girl anyway, thanks to more shenanigans.

On the way, there is a rival. HER music teacher, whom he outwits in a competitive singing session, across the window-thanks to his guru singing while he lip-synchs.

May not seem much, but the acting, direction (by Jyoti Swaroop) and music elevate this bare story to heights of comedy rarely achieved in Hindi films. In today's lingo, it's ROFL.. makes you roll on the floor laughing, much of its length.

Brilliantly conceived and directed. Mehmood and Kishore Kumar, the supporting actors, steal the show, while the hero and heroine are more like props. A laugh riot, with great music by RD Burman, lyrics by Rajendra Krishan. 1968.

Top Ten of RD Burman

 Ten is an arbitrary number, but maybe I will expand it another day. My personal favourites-

1. O mere dil ke chain

2. Chala jaata hoon kisi ki dhun mein

3. Yeh shaam mastani

4. Gum hai kisi ke pyar mein

5. Chingari koi bhadke

6. Musafir hoon yaaro

7. Dum maro dum

8. Zindagi ke safar mein guzar jate hain jo makaam..

9. Aaj unse pehli mulaqaat hogi

10. Kiska rasta dekhe 



Ek Ladki Ko Dekha To Aisa Laga

No, I am not recounting my experience, though I could. This is a tribute to my favourite music composer R.D. Burman, whose Death anniversary was January 4th. One of his last films was 1942, a Love Story, from which I have chosen this song, Ek ladki ko..

He was a fabulous composer, and I will only recount what I remember off the cuff, from his vast repertoire of songs, with a categorisation of my own-

Innovative- Jaane jaan dhoondhta phir raha., Dum maro dum, mit jaaye gham,...

Philosophical- Musafir hoon yaaron, na ghar hai na thikaana, Aanewala pal, jaanewala hai, Chingari koi bhadke,..

Romantic- Ek ajnabi haseena se, Pyar deewana hota hai mastana hota hai, O mere dil ke chain, Kehna hai, kehna hai, aaj tumse yeh pehli baar, gulabi aankhen jo teri dekhi...

In his own voice- Mehbooba mehbooba,  Dhanno ki aankhon mein, Duniya mein logon ko dhokha kabhi ho jaata hai..

Classical- Mere naina saawan bhaadon, Hamein tumse pyar kitna yeh hum nahin jaante, ...

Mature- Songs from Aandhi, Ghar,..

Exuberant- Chala jaata hoon kisi ki dhun mein..

Comic- Mere saamne wali khidki mein, Ek chatur naar,..

Rocking on stage- Most songs from Teesri Manzil, Yaadon ki Baaraat, and Hum Kisise Kum Nahin.

This blog gets its name from one that he composed- Yeh shaam mastani, Madhosh kiye jaaye..




My Childhood

This is my blog post number 1960, which is my birth year. To celebrate, I am presenting a chapter -the first- from my autobiography.


Chapter 1: Childhood

 

I used to suck my thumb. All children do. At least, when I was growing up, they did. And when I grew up and had children, they also did. I played games like marbles, jhaad bunder (monkey on a tree)- where you have to jump on a stick placed strategically under a tree, from a branch above if you don’t want to get “out”- and many of the usual ones like hide and seek (only sometimes it was called Ice Pais, maybe named after ‘I spy’ played in some western countries).

I also vaguely remember collecting tons of mangoes in buckets on stormy nights in a big yard in a big house in a small town in A.P. There were four or five mango trees in the yard. I also watered some plants- I mean with a hosepipe in our front yard. I rode the bicycle very often, when I was old enough to do so. The club (run by the company where my parents worked) was another place I frequented. Badminton, Table Tennis were games that all the kids played, and so did I.

The small town school that I went to was not unique in any way, but it must have been doing something right. For, I did pretty well academically, and managed to grow up without an accent. That may not sound like a big deal, but I was to find out later in life that the early damage that an accent can inflict on you is tough to erase- it’s inscribed on your tongue, so to speak. I felt this most strongly about the ‘mallu’ accent, but many others are equally strong, I guess.

Movies were a strong influence. In a small town and minus television, any Hindi movie that was released (usually months later than its Bombay release) was a must-see. My first distinct memory is of a Rajesh Khanna blockbuster-Aradhana, with its superhit songs and a handsome R.K. in a double role. Another a little later was Anand, with its unique blend of philosophy of life and comedy. Many other movies of the day – Mere Humdum Mere Dost, Shikaar (Dharmendra), Anjaana, Jhuk Gaya Asman (Rajendra Kumar), Prince, Tumse Achcha Kaun Hai (Shammi Kapoor), Jigri Dost, Aulad, Humjoli (Jeetendra), and Jewel Thief, Guide (Dev Anand) followed, along with a lot of others in between.

This interest was to remain with me lifelong. Hindi movie music, captured in its prime by Radio Ceylon and Binaca Geet Mala, a weekly countdown show compered by the incomparable RJ Ameen Sayani, really fired our imagination. His skill with words, his silken voice, and the music…it was a heady combo- subhanallah!

Kishore Kumar with his divine voice was another youth icon that I instantly fell in love with. His songs, many of them tuned by the genius called R.D. Burman, became a rage. From Aandhi and Amar Prem to Kati Patang was a virtual feast for music lovers, and I soaked in every one of those masterpieces. Later, I came to appreciate the more serious numbers, though at the time, growing up, the more exuberant and romantic songs were my favourites- Tum Bin Jaoon Kahan, Nadiya Se Dariya, Yeh Shaam Mastani, Yeh Jo Mohabbat hai, Yeh Jawani Hai Diwani, and so on. There were some good songs from other music composers as well, but the R.D. Burman tunes seemed a class apart. Some other popular Kishore Kumar songs were from the movies Dushman, Blackmail, and Julie.

Bobby was a cult movie of those days. I was as besotted with the lovely 18 year old Dimple Kapadia as anyone else during that time. Many years later, as I was leaving for the U.S. to get a Ph.D., another Dimple movie, Saagar, was to be my last before my departure. She was probably 30 then, but as sensuous as in the Bobby days.

Another interest was cricket. I chose to play cricket in school (HPS, Ramanthapur) at Hyderabad. I was an opening bat, and we played without helmets in those days. We played league cricket matches every Sunday in season, and everybody in the cricket team was treated like a hero whether we won or lost. We had a very enterprising fast bowler in our team, Pritipal Singh Gandhi. His favourite trick was to get the runner out when he started walking out to take a run, before the ball was bowled. This technique was perfected by Vinoo Mankad, and some people referred to the runner as being ‘Mankaded’ when he got out that way.

I fielded in the slips, and one of the horrors of that position I remember was dropping Saad Bin Jung (Tiger Pataudi’s nephew) who played against us in an inter-school match. But I had a few good catches to which I held on too. Harsha Bhogle who is now a famous commentator was also in my rival team in school. Later, we both studied at Osmania University engineering college, and went on to do our MBAs from different IIMs- he to A, I to B.

One of my vivid memories of the cricket outings is when we won the prestigious Pentangular Trophy (this tournament was played between the Public Schools and the Kendriya Vidyalayas). We got treated by the school to a lunch and a movie- Lawrence of Arabia, at Sangeet cinema.

Our cricket coach in school was Mr. Habib Khan- a tall, imposing, focused but friendly guy who coached us all very sincerely, particularly in the basics. I sometimes wonder looking at the Indian cricket team, if they had only learnt batting and bowling from him…..

We had in our hostel a geography teacher we used to call Dracula- I have even forgotten what his actual name was. He was, unlike the name we had given him, very friendly, and used to let us make tea in his room late nights when we were studying for our exams. That was really helpful for some of us “maggus”.

I had been one of the first to join the new branch of the Hyderabad Public School at Ramanthapur when it started in 1972. Some of the friends made there kept popping up in later life. Ram Seshu, who became an advertising whiz kid with MAA Bozell, and Praveen Gottipalli, my friend and competitor for the first rank, who went off to the U.S. and now has a foot in India and another there. Some others, I never saw again.

There was a guy in the hostel, Mohiddin Khwaja, with whom I made good friends. His dad was in Air India posted in Saudi Arabia, and he seemed to get a lot of exotic stuff like perfumes from abroad, which was a novelty in those days. Another guy, Uttam Kumar, became an entrepreneur in Hyderabad with his granite company, but we never met after school. I did meet Srinivas Rao, a roommate who became a homeopathic doctor, and was the son of the owner of the best homeo store in Hyderabad called Ramakrishna Homeo stores on Bank Street. We also had the son of G. Pulla Reddy Sweets’ owner in my class, and the son of a cloth shop owner, Nadir Sadruddin, who always stood out in his terricot uniform.

A lot of teachers in school were very close, as we lived together in boarding school. The Physics teacher, Mr. Chandrashekhar, was a really sweet guy. The English teacher, Mr. Anjaneya Sastry, was at his eloquent best when he taught us Keats and Shelley’s poetry. I can still remember him describing the “little birdie” while teaching us Ode to a Nightingale. He was also famous for certain words that he pronounced in a funny way- for instance, England for him was “Englaand” and his Hindi was also anglicized! We had a very strict guy, Mr. Mathan, for P.T., and his gaze was enough to get everyone **** scared. Mr. Venkiah, the bio teacher, was famous for his long winded sentences, which he expected us to write down (copy) verbatim.

The school days were mostly fun, though I also liked the vacations when one could relax and play some other games at the club, or meet boys and girls (especially girls, as I was in a boys’ school) from other families back home. We had two friends, Manoj and Subodh, with whom we played a lot of Bridge (the card game) during the holidays. My brother and I were the others in the foursome. We played for hours, usually taking breaks only for lunch. It was an excellent way to pass the holidays in a hot and dusty small town. I still miss those Bridge sessions.

My parents also had a lot of Bridge-playing sessions with their friends at home, and I sat and watched these. A lot of the families were good friends, like the Tilaks, the Kenjales, the Kaushiks and the Talpallikars, and we, the next generation, also met a lot of times later, in India and abroad.

A lasting memory of the 1975 summer was seeing Sholay in 70 mm. in the grand old theatre called Ramakrishna (owned by the film star N.T. Rama Rao). The stereophonic sound effects, and the movie itself, were really awesome, and the only comparisons that came to mind were some grand Hollywood movies like Mackenna’s Gold, or Where Eagles Dare, in terms of the impact they had on me.

My childhood was spent in the coal belt of Andhra, in towns like Kothagudem, Bellampalli and Ramagundam. The distinguishing feature of these places was the heat, but there were compensations like the club, good company of other kids, and some scenic rivers- Godavari, in particular, which ran close to most of these places. There was also a picnic spot on the river Kinnersani close to Kothagudem, where the club arranged day-long picnics regularly. I even remember a couple of moonlight picnics, which were a lot of fun.

Asha Bhosle by Raju Bharatan- Book Review

A must read for fans of a great singer. I am happy that the musical journey of a country has been captured by a serious writer like Raju Bharatan. Being interested in Hindi films and music, I have read several biographies/autobiographies such as those of Dev Anand, but the singers' and music Directors' biographies are special. Having read RD Burman's life story earlier, it is interesting to read about the role played by them in each other's lives.

It was actually OP Nayyar who brought her individuality to the fore, though other music composers played their roles (SD Burman among them). After a split with him, she teamed up with RD Burman and created many songs that shattered records and won them lifelong fans. Some also had RD Burman singing with her (Piya tu ab to aaja, in which he mostly said, Monica, O my darling), and the picturisation of some of the others (the Teesri Manzil songs like Aaja aaja main hoon pyar tera, and O Haseena zulfonwali are good examples) brought her a lot of attention. She was actually good at all types of songs and sang some ghazals for Umrao Jaan impeccably. Her duets with Kishore Kumar and Rafi are among my favourites.

Though she played second fiddle to Lata Mangeshkar, who was the first choice of most music directors, the number of songs Asha sang are a few thousand, and she left an impact in many of them.

A lovely read, if Hindi music interests you.

Live Concerts

I have been to a few- Shankar Mahadevan, Sudesh Bhosle, Hridaynath Mangeshkar, Manna Dey, Kishore Kumar-RD Burman-Asha Bhosle, Pandit Ravishankar, Pankaj Udhas (aka Punk Rock of India- just a joke), Shiv Kumar Sharma, Hariprasad Chaurasia, Ghulam Ali+Mehdi Hasan, and a couple of them dedicated to people no more- SD Burman, and Mohammed Rafi, for instance.


I enjoyed all of them, because hearing music live, specially from the artist himself, is a different feeling, and he/she brings some story about the music or songs to the event.

Kishore Kumar Memorial in Khandwa


 A bust of the singer..
 The sign on the road in Hindi..(below).
On his birth and death anniversaries each year, a commemorative event is hosted by the M.P. government here.

One of my favourite singers is Kishore Kumar. I have been a fan since I first heard him sing the songs of Aradhana and Kati Patang, and of course countless other films before and after these. This blog is named after a line from his Yeh shaam mastaani.. so it was a great pleasure to visit his Memorial at  Khandwa recently, in the company of my brother and a long-time friend Anil. These are some pics from there- some more follow.

 SD Burman, who gave him his style, and unique songs to sing- Dil aaj shaayar hai, and Phoolon ke rang se are just two examples. (above left)..
Below, a memorable role in Padosan, left, and with Rajesh Khanna on the right. Middle, with Lata Mangeshkar..again, many memorable songs..I particularly like the Aandhi duets.

 RD Burman, with whom he had many of his hits, and Mohammed Rafi, an equally talented contemporary..below, right to left.

Something I am pretty kicked about accomplishing!

My Name is Anthony Gonsalves

No, of course, it isn't. I am simple trying to recall some songs which made an impact when I first saw them on screen. Some like this one, were fun, with Amitabh emerging out of an Egg..egdum jhakaas. Some others-

O manchali, kahaan chali..the music, and the masti in the picturisation caught my attention.

Aaj kal tere mere pyar ke charche har zabaan par and from another movie, Badan pe sitare lapete hue..Shammi Kappor's unique dance style.

Hum kaale hain to kya hua dilwale hain..unique lyrics, and Mehmood. Aa ri aaja, nindiya tu lekar kahin udankhatole mein..is a moving lullaby also sung on screen by Mehmood.

Ek chatur naar karke singaar,..by Mehmood and Sunil Dutt on screen.

Zindagi ittefaq hai, kal bhi ittefaq thi, aaj bhi ittefaq hai..Mumtaz does a great job of bringing Asha Bhosle's singing to life on screen.

Mehbooba, mehbooba,..Helen sets the screen on fire. This was popular even before the film released.

Chalo ek baar phir se ajnabi ban jaayein hum dono- the power of lyrics (by Sahir Ludhianvi) to mesmerise..Mahendra Kapoor's silken voice..



Nonsensical Words in Song Lyrics

Yahoo, chahe koi mujhe Junglee kahe.. has one.

Aiyyayya karoon main kya, suku suku..seems like another one. Both Shammi Kpoor/Rafi songs.

Edlari odlari ohoo, in Zindagi ek safar hai suhana (the yodeling part) is a third. Kishore Kumar song.

Biri biri biri..meri jaan maine kaha, meri jaan tune suna, dil ne dil se kya kaha? Good question.

Oooooh, Mehbooba, mehbooba..an RD Burman song again.

Ek chatur naar has a couple in the middle of the duet/fight. om bram, aa ee oo a ai...etc.. adding to the fun quotient in a fun movie.

Eena meena deeka is full of them.




Playlist- RD Burman

I am trying to think. How do I make a playlist of my favourite music composer's music? Tough job indeed.

Anyway, trying to list my top 20 songs composed by him.

1. Tum bin jaoon kahan? Yodeling.

2. O mere dil ke chain..romance.

3. Gulabi aankhen jo teri dekhi sharabi yeh dil ho gaya..rollicking pace.

4. Chingari koi bhadke. Classic angst.

5. Tere bina zindagi se koi shikwa nahin..Class.

6. Mere samnewali khidki mein ek chand ka tukda rehta hai..comedy.

7. Dum maro dum. A new high when it first came out.

8. Jaane jaan dhoodhta phir raha. Experiments with sounds.

9. Saamne yeh kaun aaya dil mein hui hulchul...naughty.

10. Chura liya hai tumne jo dil ko. Heartfelt.

11. Gum hai kisike pyar mein, dil subah shaam. Honest.

12. Pyar diwana hota hai mastana hota hai. Love-ly.

13. Ek ladki ko dekha toh aisa laga. His swan-song.

14. Bachna ae haseenon lo main aa gaya. Stage magic.

15. O haseena zulfonwali. Tailored for Shammi and Helen.

16. Aanewala pal jaanewala hai. Philosophy.

17. Musafir hoon yaaron, na ghar hai na thikana. My philosophy.

18. Phir wahi raat hai...Haunting.

19. Raatkali ek khwab mein aayi. Melody.

20. Piya tu ab toh aaja. Aha aha ha!


Music to My Ears

Here are some people who are music to my ears, no matter when I hear their creations or voices-

Kishore Kumar Khandwewale (he was from Khandwa), who has magic in his voice. A sure cure for the blues is any song from Padosan or Chalti Ka Naam Gaadi starring him. Or in his voice from countless films. I used to like his yodelling a lot when growing up, but now I like any mood that he chooses to bring alive. Even his sombre songs are strangely uplifting!

SD Burman- I deliberately put him ahead of his peers and his son, because he was as original as anyone I heard composing tunes in Hindi films. In fact, many songs that I originally thought were tuned by RD Burman are in fact his creations-youthful, zesty, and a great combo of folk music plus creative use of instruments. Jewel Thief was a masterpiece, along with Teen Deviyan, Aradhana, ...

Rajesh Roshan- very soft tunes, always touching your heart-strings. Many of his songs as composer feature on my list of favourites- from the lilting Chhookar mere man ko kiya tune kya ishara (Yaarana), to the boisterous (by his standards) Tu pee aur jee (Des Pardes), to the lusty Jab chhaye mera jadu (Lootmaar).His Julie tunes were also outstanding.

Mahendra Kapoor- Some of my top favourites are sung by him. For instance, Lakhon hain yahan dilwale (Kismat), Tum agar sath dene ka wada karo (Humraaz), and Chalo ek baar phir se ajnabi ban jaaye hum dono (Gumraah).

RD Burman- His body of work brings out a positive feeling anytime you listen to it. For instance, any song from Teesri Manzil, Yadon Ki Barat, Kati Patang, Mere Jeevan Sathi, Jawani Diwani, Ghar, Amar Prem, Aandhi, Parichay, Namak Haram, and so on. He formed a great team with Kishore Kumar and Asha Bhosle (Dum Maro Dum still gives me goosebumps after so may years!)

The Genius of RD Burman

Along with his dad SD, he is my favourite musician-almost a magician. Today is his death anniversary or punyatithi as we call it. A tribute is in order.

He made a mark in serious tunes as well as fun, dance-inducing ones, naughty as well as sombre situations. Some memories of memorable ones-

Aandhi and Amar Prem. Dripping in romance, but divine to listen to, and very slow, like good
romance.

O mere, dil ke chain...likewise.

Chura liya hai tumne, Lekar hum deewana dil and Yadon ki baaraat nikli hai..all in the same film and so different!

Kya hua tera wada, Tumne mujhe dekha hokar meherbaan, Aaja aaja, and O haseena zulfon wali - a surfeit of riches in Mohammed Rafi's voice. Another Rafi favourite is Gulabi aankhen, from The Train, that makes you want to dance.

Jaane jaan, an experiment with vocals in Jawani Diwani.

Kehna hai and Ek chatur naar in Padosan,..pure genius.

Musafir hoon yaaron, my adopted theme song for my life, from Parichay.

Aanewala pal, jaane wala hai,..another contender for it. (Golmaal)

Ek ladki ko dekha to aisa laga...one of his last compositions in 1942- a Love Story.

Truly, madhosh kiye jaaye..


SD Burman

I may be repeating myself (a consequence of being old and being a prof-double dhamaka) but SD Burman was a great music director. I once had a top ten song list (it's in my autobiography) and many of the songs there are tuned by this deceptively old-world guy. Though the current generation may be more familiar with his son RD, dada was truly a master. It's his anniversary today according to the radio people, so here's the repeat show.

My favourites of SD Burman-

Yeh dil, na hota bechara - a crooked-necked Dev Anand sings this with a fish hanging from a hook.

Are yaar meri tum bhi ho ghazab- Dev Anand again, in a haystack- I'm not kidding. Go watch the song. From Teen Deviyan.

O Meri, o meri o meri Sharmeelee, Shashi Kapoor swinging away in his unique style.

Mere sapnon ki rani kab aayegi tu- a zesty song, that launched Rajesh Khanna.

Dil aaj shayar hai, gham aaj naghma hai...a funny moustached Dev Anand, but great song.

Dil ka bhanwar kare pukar, pyar ka raag suno, from Tere Ghar ke Samne

Hum hain rahi pyar ke hum se kuch na boliye

Ankhon mein kya jee, rupahla badal..

Jeevan ke safar mein rahi, milte hain bichchad jane ko

Hey, maine kasam lee, hey tune kasam lee,  from Tere Mere Sapne

Mana janab ne pukara nahin, kya mera sath bhi gawaara nahin..you can sing this to your boyfriend/girlfriend anytime.

Hai apna dil to awara na jaane kis pe aayega, sung beautifully by Hemant Kumar.

Phoolon ke rang se, dil ki kalam se..my all-time favourite from Prem Pujari

Tribute to RD and SD Burman

On RD Burman's birth anniversary, my tribute to the incredible father and son duo. Naturally, by listing out some of my favourites from both. Here goes-

1. Ye dil na hota bechaara, from Jewel Thief
2. Ruk jaana o jaana hum se do batein karke chali jaana (with the road roller doing a cook, cook to go with the ruk, ruk,...minor genius!). Dev Anand at his neck-moving best in both these songs.
3. Mere sapnon ki rani kab aayegi tu,...worth it just for the mouth organ (harmonica?) in it.
4. Piya tu, ab to aaja, ..possibly the sexiest club dance ever.
5. Mehbooba, mehbooba, ..same as above, part 2. Rural setting.
6. Chala jaata hoon, kisiki dhun mein dhadakte dil ke taraane liye...romantic road song.
7. O mere dil ke chain ....oh so romantic, anywhere song.
8. Hey maine kasam lee, hey tune kasam lee, nahin honge juda humm..Tere Mere Sapne, Mumtaz and Dev Anand. Charming lyrics like "saans teri madir madir jaise rajnigandha, .."
9. Aane wala pal, jaanewala hai...meaningful, lyrical.
10. Musafir hoon yaron, na ghar hai na thikaana..one of my all time favourites.
11. Pyar diwana hota hai, one of the best piano songs.
12. Kehna hai, kehna hai, aaj tumse yeh pehli baar,....Padosan
13. Aaj unse pehli mulaqat hogi, phir aamne saamne baat hogi..Paraya dhan. Similar sentiments as above, in anticipation.
14. Kuch to log kahenge, ..chhodo bekar ki baton mein kahin beet na jaaye raina..classic advice.
15. Haal kaisa hai janaab ka,..a lovely duet from Chalti ka Naam Gaadi.
16. Ek ladki ko dekha to aisa laga..one of those dreamy numbers.. 1942- A Love Story.

Maybe more in another post.



Radio Days- Vividh Bharati

I used to listen to the radio a lot in my first 24 years- mainly because TV had not come to India. Now that TV has taken over most of our non-working hours, I succumbed and watched it for many years. But the last few days, having just moved and awaiting the transfer of baggage, I became less 'idiotic' and rediscovered Vividh Bharati, the entertainment channel from All India Radio.

Some of its programs and features are outstanding. The quality of the announcers is mostly good. They have also relaxed a bit from their stentorian (dull?) avatars, and smile (you can hear it) occasionally. The selection of songs is invariably good, and there is an attempt to provide a glimpse into Indian classical music through some of their programs. Chhayageet, presented by one of the RJs each night, and Bhoole bisre geet (forgotten gems) are two that I like listening to. There are interviews with film personalities too- Ujaale unki yaadon ke, interspersed with songs. One of these was an interview with Rammohan, a character artiste, who spoke very well, articulating his many experiences over decades with stars right from Prithviraj Kapoor to Manoj Kumar. In case you can't figure him out, he was the train driver in the film 'Kitaab' on whom the song "Dhanno ki aankhon mein raat ka surma" (sung by RD Burman) was picturised.

O Mere Shahe Khuba

This is about songs that begin with an O in Hindi. That roughly translates to an address in which you well, address somebody. Hindi films being eternally romantic, with a few exceptions, usually these songs are addressed to the love of your life.

O meri, o meri, o meri Sharmeelee was a classic sung very fast, tuned by S.D. Burman. Raakhee looked fetching, and was the addressee, and the singer was Shashi Kapoor.

O mere raaja, o mere raaja, khafa na hona, der se aayee, door se aayee, majboori thi phir bhi maine waada to nibhaaya..is another classic, from Johny Mera Naam, with Dev Anand and Hema Malini looking great in the surroundings, supposedly around Nalanda. Kalyanji Anandji had the zingy music, with quite a few good songs like Pal bhar ke liye koi hamein pyaar kar le, and Nafrat karne waalon ke seene mein pyaar bhar doon.

O mere sona re sona re sona re, de doongi jaan juda mat hona re..was a lovely song sung by Asha Parekh in Teesri Manzil, a musical delight. Shammi Kapoor is the target in this one.

This movie had another "o" category number, O haseena zulfowaali jaane jahaan, one of the best club songs ever, with Helen and Shammi Kapoor outdoing each other. R.D. Burman scored the music.

O mere shahe khuba , o meri jaane jhanaana, tumne iqraar na kiya...was an Urdu beauty sung by Mohammed Rafi  from 'Love in Tokyo'. Joy Mukherjee and Asha Parekh were in it. There was another one, Sayonara, sayonara, in which we first saw a kimono in the sixties, in this film.

Another favourite in this category is O mere dil ke chain chain aaye mere dil ko dua keejiye, a moving, slow number from Mere Jeevan Sathi, starring Rajesh Khanna and Tanuja.

One man Show in Pune

 Just saw a 2490th performance of a Marathi one man act. Assal Manase, Irsaal Namune. By a chap called Prabhakar Nilegaonkar. It takes a lot...

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