Showing posts with label Naseeruddin Shah. Show all posts
Showing posts with label Naseeruddin Shah. Show all posts

Main Vapas Aunga- Film Review

I like Naseeruddin Shah. In film and theatre. He does not let you down, in this engaging look at love blooming between a Sikh boy and a Muslim girl in what will be Pakistan, before 1947. 

Partition and what precedes it changes the equation for the young lovers. He promises not to leave her side, and to come back for her, if he is forced to separate.

How things pan out is what the movie is about.  Diljit Dosanjh, and the young couple- Sharvari and Vedang (I think) play their roles to perfection. The direction is good, though I feel about 10 minutes could have been cut to reduce the length of the film.

Overall, worth a watch.

Film Review- Gustaakh Ishq

 Urdu lovers and those of sensible cinema will like this. A bit slow for those fed on high-decibel fare that runs fast. 

The plot twist comes pretty late, and is a significant one. Found an image of the heroine from the AI feature here. She's done well, but Naseeruddin Shah is the show-stealer, with his character also being the major one moving the story forward, though at its own pace. 

The Urdu dialogues are a highlight. Gulzar and Vishal Bharadwaj have collaborated on the music and lyrics, though the Director is different.

Reasonably good.



What Plays Can Teach Us

 Why is Shakespeare famous? Due to his plays. And why are plays important, especially today where everything seems screen-based- so much that you sometimes wonder if you are really alive, and pinch yourself to be sure.

I would think that plays are a unique art form. Film of course is easier to do and store, and distribute. And it has an important role to play in entertainment and education. But there is an immediate connect with the characters in a well-enacted play, that is magnetic, and irreplaceable. 


Pic above- a wonderful play I saw at Pune recently, called The Greatest Show on Earth. 

Last three or four years, I saw many plays. In Bangalore, I was lucky to have watched Naseeruddin Shah in two (he was mesmerising), and Vinay Pathak in one (funnily, called The Last Lear, after Shakespeare's King Lear). In Pune, I saw a few Marathi plays, with some good actors and directors- both male and female. 

Some classic Marathi plays were remade into films as well. I liked Natasamrat with Nana Patekar in it, and Katyar Kaaljaat Ghusli with Shankar Mahadevan and Sachin playing the major roles. 

I think the subject comes through more forcefully in a play than in a film. I would strongly recommend that you try them out, if you haven't. You won't regret it.


Plays- Watching and Acting

 Watching and acting in plays are two entirely different things. I have watched fewer plays than movies, but realise how difficult it is to stage one. That is because of acting in one during my MBA days- my only foray into this arena. Also because I watched my friend Shweta Kushal direct from scratch a new set of actors-students, in 4 different plays at IIM Indore over the last few years.

I have watched a couple of English plays, and a few Marathi plays. Maybe one or two Hindi plays, Have been impressed by most of these. Marathi stage has a long history, and a couple of classics were remade recently into films by enthusiastic directors. Natasamraat and Katyaar Kaaljaat Ghusli were both very good in the new medium. 

Watching Naseeruddin Shah and Ratna Pathak Shah in Bangalore last year was a rare pleasure. So was Arundhati Naag performing a Girish Karnad play a few years earlier. Shabana Azmi was in the audience for that one!

Maybe after I retire, will try and watch a few more. Bucket list, here I come!

Naseeruddin Shah Again!

 To my great fortune, I saw him back to back this month, in two plays at Ranga Shankara. This one, Dear Liar, had him playing George Bernard Shaw (not Shah, as the first exchange of dialogue pointed out).

It's almost an out-of-the-world experience to watch someone like him perform, and I will not try to describe it. This play is based on an exchange of letters between him and his long-standing lover (extra-marital) of 44 years. Ratna Pathak Shah complemented him beautifully in the other role.



A lot of references to Pygmalion, Shaw's most famous play, and how she auditioned for the part, and made it a big success. Lovely repartee, humour, and use of the language. Enjoyed it thoroughly, and will check one more thing off my bucket list- though I had forgotten to put it there! Jaane Bhi Do Yaaro!

Review of Einstein- a play

 Naseeruddin Shah as Einstein. That was an irresistible proposition, and I succumbed. I had watched a lot of his films. Two that particularly stand out in my memory are Finding Fanny and Jaane Bhi Do Yaaron. I think he had comic talent that remained underexploited. 


Anyway, back to the play about Einstein. Essentially, it's a one-man act. He is old, and reminiscing about various things. It's about science too, but also about war and its futility, and scientists and inventors who sell their soul and do things that are detrimental to humanity, along with politicians and other war-mongers.

The play also touches on his marriages, mostly unsuccessful due to his immersion in his work, his ability to take Newtonian Physics many steps ahead and understand time, space and the nature of the universe. Some of the stuff was known, like that joke about relativity- A minute on a hot stove seems like an hour, but an hour talking to a pretty girl seems like a minute. 

But what acting! Set design was fantastic, with a bust of Newton to which he speaks occasionally, and a projector showing pics from history, related to what he is saying at any point in time- I thought that was innovative. And a blackboard with mathematical equations all over it. The lighting too, particularly towards the closing scene where stars are simulated, and in highlighting his face and arms when that emphasis was needed. 

I was also reminded of the excellent staging of some plays at IIM Indore by a colleague, Shweta Kushal,  with amateur actors-students. Prachi Jain, Shreya Surana, Sanjana, are you listening? 

The Tashkent Files- Film Review

A very well-made film in a genre that Hindi films usually do not even attempt. It has elements of The Odessa File starring Jon Voight that I saw many years ago, and elements of Twelve Angry Men remade as Ek Ruka Hua Faisla, about a jury debating whether a defendant is guilty or not. Here, the subject is the shadowy circumstances around the death of Lal Bahadur Shastri, India's former Prime Minister, that happened at Tashkent.

Though the end abruptly points fingers at a political personality, making it look as though it is a propaganda film in the times of a general election, that does not take away the fact that it is gripping from the word Go. You can discount the last five minutes if you don't like those. Throughout the film, though, the entire political class is blamed for whatever the main argument is- a citizen's right to be informed about the goings-on in a democracy. The Cold War and the dirty tricks of CIA and KGB also come out starkly.

Shweta Basu Prasad excels in her role of an intrepid journalist, and is supported ably by a good supporting cast- Mithun Chakrabarty and Naseeruddin Shah being the major ones, and Pankaj Tripathi, Pallavi Joshi and Mandira Bedi among the others.

I liked it as a film, in spite of a possible propagandist angle, as mentioned earlier.

China Gate- The Film Reviewed Late

Very late, because I had never seen the film when it first released- when Urmila Matondkar was a star. She has an item number in this film, and now that she has joined the Congress politically, she seems to be (in retrospect, of course) making a point in that song of hers- something about capturing U.P. and M.P., with her thumkas.

There is a galaxy of good actors in the film- Naseeruddin Shah, Om Puri, Danny, Amrish Puri, Paresh Rawal and a few others- Jagdeep, for example, who played Soorma Bhopali so well in Sholay. The similarities with Sholay are many, but of course, without the magic. Most of the actors do not have a well-written role.

And there are no big stars, the dialogues are average, and the plot unfolds in a very uninteresting fashion- of course, you can't compare too many things to Sholay, because they would fall flat. This film did too, in spite of that Urmila number, that comes in too late in the film anyway.

Not bad for a TV watch, but I would not have paid to watch it in a theatre.


Aiyaary- View From the Balcony

Manoj Bajpayee is a fine actor. Rakul Preet Singh (apparently starred in a few Telugu films) looks nice and acts well in her part. Siddharth Malhotra- well, I am not a big fan of his, but he's adequate for the role.

Overall, the movie is a good watch if you like the Spy Vs. Spy genre. Here, it is also linked to the Adarsh Housing scam though the disclaimer proclaims otherwise.The story is decent, and keeps you guessing in quite a few scenes. Naseeruddin Shah has a small but significant role.

Somehow, the leading lady reminded me of Poonam Dhillon in her young days. She looks and acts a bit like her- or maybe I have a need for glasses :)

Ok, without giving the story away, this is all I can say. It has the feel of a Neeraj Pande film (A Wednesday). Nicely shot scenes of foreign locales. The snowy ones in India too.

Great Actors

Out of the ones I have seen on screen, I would classify these among my greats-

Kishore Kumar, Mehmood, Amitabh Bachchan, Irrfan Khan, Naseeruddin Shah, Prithviraj Kapoor, Om Puri, Smita Patil, Madhubala, Rekha, Kajol, Guru Dutt, Waheeda Rehman, Dev Anand.

There are of course many others who were good, but had some flaws- Raj Kapoor imitated Charlie Chaplin a bit more than necessary, though he played the simpleton pretty well.  Rajesh Khanna was very good in some roles, but could not pull off some others, and became a stylised version of himself in his later films. Anand, though, remains one of my favourite (best?) films, and it starred him.

Smita Patil brought an element of mystique to many roles she played. Shabana was also good in some of her roles, many offbeat. Rekha also played some woman-centric roles like in Khoobsurat with great confidence. Her transformation from a raw, dark Southie to the mainstream was remarkable. Kajol is one of the most natural actresses ever, and I wish her career had lasted longer.Of recent actresses, Vidya Balan has acquitted herself well in diverse roles, and may make the list.

Dev Anand gets into this list after discounting some of his later films, which were atrocious, but he pulled off a lot of memorable roles, and acted well in at least a couple of classics like Guide and Tere Mere Sapne, while entertaining a huge fan following in a variety of roles in his early films up until Des Pardes. Johny Mera Naam is a classy masala Bollywood film of his.

Books That Have Impressed Me

The old ones are the Murakamis, and Ogilvy on Advertising, Maverick by Ricardo Semler. Umberto Eco's shorter essays are a new favourite. Comic stuff from Dave Barry or Woody Allen (he wrote too) is always welcome for an ATL (any time laugh).

Selfienomics, and The Art of Social Media (the latter by Guy Kawasaki), The 100-year-old-man who Jumped Out of a Window and Disappeared are some of the recently read books that were impressive. TED Talks by Chris Anderson was good also.


Naseeruddin Shah's autobiography, and Dev Anand's, were well-written. A biography of SD Burman that I got hold of at a concert in his honour was good, like a book about RD Burman I read earlier. I am a big fan of their music, making those reads all the more enjoyable.

This Way is Easier Dad by Harimohan, and Sreeram's Kalyug were ones from known people that I enjoyed reading. Attended the Pune launch of the former at Pagdandi, an offbeat book store.

Old favourites that I can re-read anytime are PG Wodehouse, Agatha Christie, Arthur Conan Doyle and Asterix. Liked the new Sherlock based on the classic. Just started re-reading some A.A. Fair books. I like Rex Stout's Nero Wolfe as a character too, in the mystery genre. Mr. Majestic is a fun detective story about a small-time Bangalore crook that I was gifted by Meghna, and liked.

My favourite Marathi author is the humourist P. L. Deshpande. Another teenage favourite was B.R.Bhagwat, who wrote the Faster Fene books- a movie was recently made with him as a hero.

Osho's books are also highly readable, and so are some of Jaggi Vasudev. J. Krishnamurti is also an old favourite.

Naseeruddin Shah's Autobiography- A Review

I was excited when I heard this (And Then One Day) had been published, and even more when I found it  in a bookstore sometime ago- and this time, the excitement was justified.

It is like no other autobiography I have read (including my own, one that I like a lot). Particularly in the kind of self-deprecation it indulges in. Most autobiographies start out with the premise of the protagonist as hero, but this one rarely gets into that mode, if at all. It is honest, brutally so at times, and though initially he comes from a privileged family background, it takes you through tribulations of the worst kind that he suffers-mostly cheerfully.

The feeling of being perceived as utterly useless by parents, schools, and teachers is all-pervasive through most of his early life, and makes you wonder at our schooling system. But then, the same system provides him opportunities to watch some wonderful Hollywood films (in boarding school), and nurtures his interest. And guardian angels do appear when he needs them, like Purveen, his first wife, and teachers like Ebrahim Alkazi at National School of Drama, and Shyam Benegal, who gives him a break in films when he is not at all sure of how to step into them after his acting course at Pune's Film Institute.

His takes on popular films, actors and directors are absolutely hilarious, and his frank admission that he did not know how to act in them rings true. He is critical about most of his films, actually. Even the good ones.

His imitation of a Bengali director (of Sunaina, a re-make of Charlie Chaplin's City Lights)- 'Breeng me the shit (bring me the sheet)', asking his assistant to get him some working sheet, is also worth recounting as are his observations about Indian theatre (both Hindi and English). He sometimes performed his plays for audiences of ten or twenty, for the sheer love of it.

I will heartily recommend this book to anyone at all. Film buffs will find it even more enjoyable and enriching, no doubt. If you are considering writing an autobiography, do read it before you do. I wish I had!

Dedh Ishqiya- Review

This is a 'cool' film in many ways. There was also a cold wind blowing across the Malwa region, but that is just by the way. It is a pleasure to watch the lead actors Naseer and Arshad, along with many of the others-Huma Qureshi who looks good, and Vijay Raaz, who plays his role well, in particular. And Mr. Italvi, who claims to be a poet from Italy.

There is some good Urdu poetry in the initial part, but the film picks up pace when the shenanigans of the con artists really begin. I liked the second half for its pace, and the general goofball happenings. But what I liked best were all the scenes featuring Arshad Warsi (after Munnabhai, maybe his best outing) and Naseeruddin Shah, one of our finest actors.

The tale is a kind of mix of The Cannonball Run, It's a Mad, mad, Mad World, Dirty, Rotten Scoundrels, A Fish Called Wanda, with a few wannabe Urdu poets thrown in, and set in U.P.. But it's all fun to watch. There is also a modern twist in the tale, a bow to the latest inclinations of "homo" sapiens.

Jaane Bhi Do Yaaro- Second Viewing

In my teenage years, old movies regularly re-ran at theatres in Hyderabad. Why this practice was discontinued I don't really know-must be the DVDs that are rampant, and downloads, legal and illegal. But it is fun to watch some old movies in a theatre for the experience. We had one such recently, watching Jaane Bhi Do Yaaro at Pune's new PVR in a mall at Nagar Road.

The antics of all the characters are amazing- Satish Shah as DeMello, the Commissioner who takes commissions, eats Switzerland ka cake (Thoda khao, thoda phenko), and lives and dies for the gutter, the perpetually drunk Ahuja (Om Puri) in a perfect Punjabi accent, Pankaj Kapur as Tarneja the builder who gives good logic for extending buildings beyond permissible limits, Bhakti Barve the 'saviour' of society and editor of Khabardar, Satish Kaushik as Namboodripad the bumbling assistant to Tarneja, Neena Gupta as his sexy sidekick, and so on.

And to top all this, the lead characters played beautifully by Ravi Baswani and Naseeruddin Shah. Script, direction and dialogue are absolutely brilliant, and I think deserve an Oscar-equivalent recognition. Of course, the viewers have already recognised it as such. Kundan Shah, the maker, you are immortal just for this creation. So many dialogues are immortal. Wahan hum dekha, peene ka pani alag, gutter ka pani alag (about America which DeMello has just visited), Or Dhritarashtra's lament, "Yeh kya ho raha hai", through the twists and turns that Draupadi's cheerharan takes, or "Shaant, gadadhaari Bheem" in the same scene. Bhakti Barve also plays her part of seducing Naseer into doing her dirty work to perfection. All in all, a heady cocktail, though it was made in 1983- by a bunch of talented FTII alums (Sudhir Mishra and Vidhu Vinod Chopra are also in the team). Definitely should be on everyone's bucket list. My daughters liked it too, and they are in their 20s.

Frame- Marathi Film Review

 Saw an impressive film called Frame (Marathi). Apt title, because it charts out the life of a photojournalist- and his young apprentice. Ve...

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